Artist Statement:
As a First Nations carver, educator and scholar I am deeply connected to the land and its resources, I find inspiration in the age-old practice of hunting for survival. Nda Anokî is the Algonquin word for ‘He Hunts’. This profound connection to the natural world teaches us the invaluable lesson that sustenance from the earth is a form of medicine for both our bodies and our spirits.

Through my work, I aim to capture the essence of this ancient relationship, highlighting the importance of understanding and preserving our connection to the land and the nourishment it provides. It is through this communion with nature that we not only sustain our physical selves but also nurture our cultural and spiritual well-being, forging a harmonious bond with the Earth that is both timeless and essential.

Additionally, the choice of scorched wood as a material holds a deep significance. The scorching process brings out the intricate rings within the wood, symbolizing the passage of time and the wisdom gained through hunting and living close to the land. These rings become tangible connections to our own memories of hunting or to relatives who have carried on this ancient tradition, underscoring the enduring legacy of knowledge and love that flows from one generation to the next, weaving a tapestry of ancestral guidance and shared experiences.